7th Grade  Project 8 weeks

Appalachian Spring: Dance to Script

Virginia S
Updated
DA:Cr2.1.7.a
DA:Cr2.1.7.b
DA:Cr1.1.7.a
DA:Pr6.1.7.a
DA:Pr5.1.7.c
+ 11 more
1-pager

Purpose

Students investigate how dance, music, and theater work together by studying Appalachian Spring and then transforming one selected moment into a polished group script scene. Through a launch watch party comparing Appalachian Spring and The Nutcracker, script analysis of short performance texts, and research on the ballet’s creators, they learn to translate movement, mood, and musical cues into dialogue, stage directions, and pacing. Across drafting, mid-project read-aloud conferences, quick circle-share reflections, and revision, they build choreography, theater, and communication skills while making shared artistic decisions. The work culminates in a class showcase and Copland Curtain Call, where students perform or read their scenes, answer audience questions, and receive feedback from a ballet artist and symphony educator.

Learning goals

Students will analyze how choreography, music, dialogue, stage directions, and pacing work together to tell a story, then apply those features to write a polished scene based on a section of Appalachian Spring. They will use dance and theatre vocabulary to explain their artistic choices, document movement ideas, and adapt scenes for performance through rehearsal, feedback, and revision. They will strengthen collaboration and communication by making shared decisions, participating in script conferences and circle reflections, and responding to questions during the class showcase and Copland Curtain Call. They will also build understanding of Copland, the ballet’s context, and how artists translate movement and emotion into performance for an audience.

Standards
  • [National Core Arts Standards] DA:Cr2.1.7.a - Use a variety of choreographic devices and dance structures to develop a dance study with a clear artistic intent. Articulate reasons for movement and structural choices.
  • [National Core Arts Standards] DA:Cr2.1.7.b - Determine artistic criteria to choreograph a dance study that communicates personal or cultural meaning. Articulate how the artistic criteria serve to communicate the meaning of the dance.
  • [National Core Arts Standards] DA:Cr1.1.7.a - Compare a variety of stimuli (for example, music, observed dance, literary forms, notation, natural phenomena, personal experience/recall, current news or social events) and make selections to expand movement vocabulary and artistic expression.
  • [National Core Arts Standards] DA:Pr6.1.7.a - Recommend changes to and adapt movements to performance area. Use performance etiquette and performance practices during class, rehearsal and performance. Maintain journal documenting these efforts. Post-performance, accept notes from choreographer and apply corrections to future performances.
  • [National Core Arts Standards] DA:Pr5.1.7.c - Collaborate with peers to practice and refine dances. Develop group performance expectations through observation and analyses (for example, view live or recorded professional dancers and collaboratively develop group performance expectations based on information gained from observations).
  • [National Core Arts Standards] TH:Cr1.7.a - Investigate multiple perspectives and solutions to staging challenges in a drama/theatre work.
  • [National Core Arts Standards] TH:Pr4.7.a - Consider various staging choices to enhance the story in a drama/theatre work.
  • [National Core Arts Standards] DA:Cr1.1.7.b - Explore various movement vocabularies to express an artistic intent in choreography. Explain and discuss the choices made using genre-specific dance terminology.
  • [National Core Arts Standards] DA:Cr3.1.7.b - Investigate a recognized system to document a dance sequence by using words, symbols, or media technologies.
  • [National Core Arts Standards] DA:Pr6.1.7.b - Explore possibilities of producing dance in a variety of venues or for different audiences and, using production terminology, explain how the production elements would be handled in different situations.
Competencies
  • Critical Thinking & Problem Solving - Students consider a variety of innovative approaches to address and understand complex questions that are authentic and important to their communities.
  • Effective Communication - Students practice listening to understand, communicating with empathy, and share their learning through exhibiting, presenting and reflecting on their work.
  • Collaboration - Students co-design projects with peers, exercise shared-decision making, strengthen relational agency, resolve conflict, and assume leadership roles.
  • Content Expertise - Students develop key competencies, skills, and dispositions with ample opportunities to apply knowledge and engage in work that matters to them.
  • Academic Mindset - Students establish a sense of place, identity, and belonging to increase self-efficacy while engaging in critical reflection and action.
  • Self Directed Learning - Students use teacher and peer feedback and self-reflection to monitor and direct their own learning while building self knowledge both in and out of the classroom.

Products

Students will create observation notes from the ballet story watch party, research notes on the ballet, composer, and choreographer, and short practice scripts that analyze dialogue, stage directions, and pacing. In small groups, they will develop a documented scene plan, movement-to-script translation notes, rehearsal journal entries, and a draft script to bring to mid-project script conferences for critique and revision. The final product is a polished group script scene from Appalachian Spring with clear dialogue, stage directions, and pacing that can be performed or read aloud. For the class showcase and Copland Curtain Call, each group will also prepare a brief artist talk and Q-and-A responses explaining how they translated movement, music, and emotion into script form.

Launch

Open with a Ballet Story Watch Party using recorded excerpts from Appalachian Spring and The Nutcracker, then guide students in a brief movement-and-mood discussion about how dance, music, and staging tell a story without words. Invite students to jot or sketch what they notice about emotion, character, pacing, and key movements, then try a few simple gestures or frozen tableaux inspired by one scene. Close by introducing the driving question and the final challenge: in small groups, students will translate one scene from Appalachian Spring into a performable script with dialogue, stage directions, and clear pacing.

Exhibition

Host a Copland Curtain Call performance night where each group presents its polished scene as a staged reading or short performance, followed by a brief audience Q-and-A about how they translated movement, music, and emotion into script form. Invite families, classmates, a ballet artist, and a symphony educator to attend, respond to the scenes, and highlight strong artistic choices, collaboration, and revision. Create a simple lobby display with student journals, scene notes, and draft-to-final script samples so guests can see the research, feedback, and refinement behind the final work. End with class shout-outs that recognize effective teamwork, thoughtful use of stage directions and pacing, and growth in communicating the story of the ballet.